Equipped with the modern technological tools, the crew heads for a frozen lake in the Himalayas.
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The story follows the famous Chinese archaeologist Jack, who teams up with his Indian counterpart for a new quest. Like his signature, action-comedy, nothing new to appreciate either his part or the film. His presence failed to do the usual magic. Literally, it is a retelling story of those great treasure hunt adventure films we had seen so far in our life. It should have been a star studded cast, but from the Chinese side, it does, not on the Indian side. Team up between India and China is a rare thing in filmdom, so I was curious about that. Just an another 'The Myth' from the same director. Like always any Chinese product, this is not a quality product. So except Indian cast participation and a few Indian locations, this is completely 'made in China' and for the Chinese market. More like it is China's move to mend the relationship with India. The project was decided when two leaders of the respective nation met a couple of years ago. So except Indian cast participation and a few Indian locations, this is When two different ancient arts meet.
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It seemed like April Fool's Day had come early.When two different ancient arts meet. And how do they celebrate the happy ending? The whole cast breaks into a Bollywood-style dance number, choreographed by Farah Khan. The 'treasure' is finally found, and-spoiler alert-the baddie has a change of heart. And all that you see are a bunch of clichés about India-temples, caparisoned elephants, princesses decked in jewels, snake charmers and the 'great Indian rope trick' (well, the secret of the trick is finally revealed). It's 2017, mind you, and not the era of the rajas. Patani and Sood could very well have been reading the dialogues straight out of a textbook! Sood wasn't even half as menacing as he is capable of (watch the Telugu blockbuster Arundhati, if you haven't already, for proof).Īnd just when you think it couldn't get any worse, the scene shifts to India. If the tepid (and often preachy) dialogues weren't enough, the dubbing in English made it worse. The car chase in Dubai, where Chan gets a lion for company, is one of the rarest of the rare scenes in the film that truly entertains you. In fact, he, and to some extent, Aarif Rahman (as Jones Lee) and Amyra Dastur (Kyra), are the only bright spots in the film, as far as acting is concerned. At 62, Chan might have lost quite a bit of both but still has that spark in him. It was Chan's trademark goofiness, along with some impressive display of martial arts, that made him a favourite with film-buffs worldwide. Tong and Chan have entertained us with films like Police Story 3: Super Cop and Police Story 4: First Strike, among others, in the past. What follows is a forgettable and unconvincing cat-and-mouse game between the two sides, which takes the audience to China, Dubai and India. Where there is a treasure, there is bound to be a villain-Randall (Sonu Sood), in this case. Archaeology professor Jack (Chan) teams up with Indian researcher Ashmita (Disha Patani) to find the lost treasure of Magadha dynasty.
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The script makes you wonder what Tong was smoking when he wrote and directed the film. It's not just the title that disappoints you.
#Kung fu yoga movie jackie chan 2017 free
It seems the only two uses of yoga, according to director Stanley Tong's manual, is to enable you to hold your breath underwater and to free yourself when your hands are tied behind your back. And that's saying something when you have Jackie Chan as the lead actor. Kung Fu makes its appearance but it's nothing you haven't seen before. But it turns out to be a complete misnomer as you sit through the 107-minute mess-of-a-film, which masquerades as a treasure hunt. (In fact, Kung Fu Yoga is the first of the three films to be produced as per the agreement.).
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Combine both and you have the perfect name for a film co-produced by the two countries in a bid to boost trade relations.